Chris Keighley
Colorist
Chris Keighley joined Company 3 in February 2008. Hitting the ground running, he’s worked on such projects as Tony Scott's The Taking of Pelham 123, the entire first season of J.J. Abrams/Fox's Fringe and the big screen adaptation of The Rum Diary which was photographed by acclaimed cinematographer Dariusz Wolski. Keighley also worked on the first season of CBS' The Good Wife which is his first digitally-captured show.
Prior to joining Company 3 NY, Keighley was Technical Supervisor at Post Logic Studios New York where he oversaw all projects completed at the facility during 2006-07. Keighley began his professional career in Post Production at Technicolor Creative Services in New York in early 2003 where he utilized his bare hands to help construct and open their brand new post facility. Spending 3 years there, he earned opportunities in the expanding DI department as a film scanner while also serving as a dailies colorist.
Prior to joining Company 3 NY, Keighley was Technical Supervisor at Post Logic Studios New York where he oversaw all projects completed at the facility during 2006-07. Keighley began his professional career in Post Production at Technicolor Creative Services in New York in early 2003 where he utilized his bare hands to help construct and open their brand new post facility. Spending 3 years there, he earned opportunities in the expanding DI department as a film scanner while also serving as a dailies colorist.
