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Morbius

  • Colorist: Stephen Nakamura
  • Director: Daniel Espinosa
  • Director of Photography: Oliver Wood

Share

  • Colorist: Sofie Borup
  • Director: Pippa Bianco
  • Director of Photography: Ava Berkofsky
  • Editorial: Shelby Siegel
HBO

The Assistant

  • Colorist: Sofie Borup
  • Director: Kitty Green
  • Director of Photography: Michael Latham
  • Editorial: Kitty Green & Blair McClendon

A Quiet Place Part II

  • Colorist: Stefan Sonnenfeld
  • Director: John Krasinski
  • Director of Photography: Polly Morgan

Togo

  • Colorist: Siggy Ferstl
  • Director: Ericson Core
  • Director of Photography: Ericson Core
  • Editorial: Martin Pensa
Disney+

1917

  • Colorist: Greg Fisher
  • Director: Sam Mendes
  • Director of Photography: Roger Deakins
  • Editorial: Lee Smith

In the Heights

  • Colorist: Stephen Nakamura
  • Director: Jon M. Chu
  • Director of Photography: Alice Brooks
  • Editorial: Myron Kerstein

Cuck

  • Colorist: Kath Raisch
  • Director: Rob Lambert
  • Director of Photography: Nicholas Matthews
Trailer

Sleeping in Plastic

  • Colorist: Kath Raisch
  • Director: Van Ditthavong
  • Director of Photography: Spenser T. Nottage
Trailer

Dolittle

  • Colorist: Stephen Nakamura
  • Director: Stephen Gaghan
  • Director of Photography: Guillermo Navarro
  • Editorial: Craig Alpert

Drowning

  • Colorist: Sean Coleman
  • Director: Melora Walters
  • Director of Photography: Christopher Soos
  • Editorial: Alexis Evelyn

Black and Blue

  • Colorist: Sean Coleman
  • Director: Deon Taylor
  • Director of Photography: Dante Spinotti
  • Editorial: Peck Prior

Antlers

  • Colorist: Tom Poole
  • Director: Scott Cooper
  • Director of Photography: Florian Hoffmeister
  • Editorial: Dylan Tichenor

The King

  • Colorist: Tom Poole
  • Director: David Michôd
  • Director of Photography: Adam Arkapaw
  • Editorial: Peter Sciberras
Netflix

Fractured

  • Colorist: Andrew Geary
  • Supervising Colorist: Tom Poole
  • Director: Brad Anderson
  • Director of Photography: Björn Charpentier
  • Editorial: Robert Mead
Netflix

Top Gun: Maverick

  • Colorist: Stefan Sonnenfeld
  • Director: Joseph Kosinski
  • Director of Photography: Claudio Miranda
  • Editorial: Chris Lebenzon

Bad Boys for Life

  • Colorist: Stefan Sonnenfeld
  • Director: Adil El Arbi & Bilall Fallah
  • Director of Photography: Robrecht Heyvaert

6 Underground

  • Director: Michael Bay
  • Director of Photography: Bojan Bazelli
  • Editorial: Roger Barton, William Goldenberg & Calvin Wimmer

Birds of Prey:

  • Colorist: Stefan Sonnenfeld
  • Director: Cathy Yan
  • Director of Photography: Matthew Libatique
  • Editorial: Jay Cassidy & Evan Schiff
And the Fantabulous Emancipation of One Harley Quinn

Doctor Sleep

  • Colorist: Jill Bogdanowicz
  • Director: Mike Flanagan
  • Director of Photography: Michael Fimognari
  • Editorial: Mike Flanagan

Strive

  • Colorist: Jared Pecht
  • Director: Robert Rippberger
  • Director of Photography: Dominick Sivilli

Moffie

  • Colorist: Joseph Bicknell
  • Director: Oliver Hermanus
  • Director of Photography: Jamie Ramsay
  • Editorial: Alain Dessauvage

Zombieland: Double Tap

  • Colorist: Stephen Nakamura
  • Director: Ruben Fleischer
  • Director of Photography: Chung-hoon Chung
  • Editorial: Dirk Westervelt

Terminator: Dark Fate

  • Colorist: Tim Stipan
  • Director: Tim Miller
  • Director of Photography: Ken Seng
  • Editorial: Julian Clarke

Jacob’s Ladder

  • Colorist: Tim Stipan
  • Director: David M. Rosenthal
  • Director of Photography: Pedro Luque
  • Editorial: Richard Mettler

The Unicorn

  • Colorist: Jared Pecht
  • Director: Robert Schwartzman
  • Director of Photography: Michael Rizzi & John Schwartzman
  • Editorial: Christopher Donlon

The Current War

  • Colorist: Stephen Nakamura
  • Director: Alfonso Gomez-Rejon
  • Director of Photography: Chung-hoon Chung
  • Editorial: Justin Krohn & David Trachtenberg

Underwater

  • Colorist: Stephen Nakamura
  • Director: William Eubank
  • Director of Photography: Bojan Bazelli
  • Editorial: Brian Berdan, William Hoy &Todd E. Miller

Killerman

  • Colorist: Tim Stipan
  • Director: Malik Bader
  • Director of Photography: Ken Seng
  • Editorial: Rick Grayson

The Good Liar

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Andrew Geary
  • Director: Bill Condon
  • Director of Photography: Tobias A. Schliessler
  • Editorial: Virginia Katz

The Righteous Gemstones

  • Colorist: Andrew Geary
  • Supervising Colorist: Tom Poole
  • Director: Danny McBride
  • Director of Photography: Brandon Trost
  • Editorial: Justin Bourret
HBO

Fyre

  • Colorist: Andrew Geary
  • Supervising Colorist: Stefan Sonnenfeld
  • Director: Chris Smith
  • Director of Photography: Jake Burghart, Cory Fraiman-Lott & Henry Zaballos
  • Editorial: Jon Karmen & Daniel Koehler
Netflix

The Highwaymen

  • Colorist: Stefan Sonnenfeld
  • Director: John Lee Hancock
  • Director of Photography: John Schwartzman
  • Editorial: Robert Frazen
Netflix

What’s My Name: Muhammad Ali

  • Colorist: Stefan Sonnenfeld
  • Director: Antoine Fuqua
  • Director of Photography: Maz Makhani
  • Editorial: Jake Pushinsky
HBO

21 Bridges

  • Colorist: Tom Poole
  • Director: Brian Kirk
  • Director of Photography: Paul Cameron
  • Editorial: Tim Murrell

Men in Black: International

  • Colorist: Stephen Nakamura
  • Director: F. Gary Gray
  • Director of Photography: Stuart Dryburgh

Beats

  • Colorist: Dave Hussey
  • Director: Chris Robinson
  • Director of Photography: Joshua Reis
  • Editorial: David Blackburn
Netflix

Charlie’s Angels

  • Colorist: Stephen Nakamura
  • Director: Elizabeth Banks
  • Director of Photography: Bill Pope

Spider-Man: Far from Home

  • Colorist: Jill Bogdanowicz
  • Director: Jon Watts
  • Director of Photography: Matthew J. Lloyd
  • Editorial: Leigh Folsom Boyd & Dan Lebental

It: Chapter Two

  • Colorist: Stephen Nakamura
  • Director: Andy Muschietti
  • Director of Photography: Checco Varese
  • Editorial: Jason Ballantine

Bird Box

  • Colorist: Sean Coleman
  • Director: Susanne Bier
  • Director of Photography: Salvatore Totino
  • Editorial: Ben Lester
  • Client: Netflix
Netflix

Homecoming

  • Colorist: Jaime O'Bradovich
  • Director: Beyoncé & Ed Burke
  • Director of Photography: Mark Ritchie
  • Editorial: Alexander Hammer & Andrew Morrow
  • Client: Beyoncé
A Film by Beyoncé

Star Wars: The Rise of Skywalker

  • Colorist: Stefan Sonnenfeld
  • Director: J.J. Abrams
  • Director of Photography: Dan Mindel
  • Editorial: Maryann Brandon & Stefan Grube

The Clovehitch Killer

  • Colorist: Jaime O'Bradovich
  • Director: Duncan Skiles
  • Director of Photography: Luke McCoubrey
  • Editorial: Megan Brooks & Andrew Hasse

Let Me Make You a Martyr

  • Colorist: Jaime O'Bradovich
  • Director: Corey Asraf & John Swab
  • Director of Photography: Jeff Melanson
  • Editorial: Corey Asraf & Dylan Quirt

Native Son

  • Colorist: Tim Stipan
  • Director: Rashid Johnson
  • Director of Photography: Matthew Libatique
HBO

Nerve

  • Colorist: Andrew Geary
  • Director: Henry Joost & Ariel Schulman
  • Director of Photography: Michael Simmonds

Miss Bala

  • Colorist: Stephen Nakamura
  • Director: Catherine Hardwicke
  • Director of Photography: Patrick Murguia

The Lion King

  • Colorist: Steven J. Scott
  • Director: Jon Favreau
  • Director of Photography: Caleb Deschanel

John Wick: Chapter 3 – Parabellum

  • Colorist: Jill Bogdanowicz
  • Director: Chad Stahelski
  • Director of Photography: Dan Laustsen
  • Editorial: Evan Schiff

Perfect

  • Colorist: Sofie Borup
  • Director: Eddie Alcazar
  • Director of Photography: Matthias Koenigswieser
  • Editorial: Gardner Gould

12 Strong

  • Colorist: Tom Poole
  • Director: Nicolai Fuglsig
  • Director of Photography: Rasmus Videbæk
  • Editorial: Lisa Lassek

Shock and Awe

  • Colorist: Siggy Ferstl
  • Director: Rob Reiner
  • Director of Photography: Barry Markowitz
  • Editorial: Bob Joyce

The Cloverfield Paradox

  • Colorist: Stefan Sonnenfeld
  • Director: Julius Onah
  • Director of Photography: Dan Mindel
  • Editorial: Alan Baumgarten, Matt Evans & Rebecca Valente

We Are Columbine

  • Colorist: Tyler Roth
  • Director: Laura Farber
  • Director of Photography: Joseph R. Fitzgerald
  • Editorial: James Stanger

Leave No Trace

  • Colorist: Tim Stipan
  • Director: Debra Granik
  • Director of Photography: Michael McDonough
  • Editorial: Jane Rizzo

Summer ’03

  • Colorist: Sofie Borup
  • Director: Becca Gleason
  • Director of Photography: Ben Hardwicke
  • Editorial: Josie Azzam

Destination Wedding

  • Colorist: Sean Coleman
  • Director: Victor Levin
  • Director of Photography: Giorgio Scali
  • Editorial: Matt Maddox

To All the Boys I’ve Loved Before

  • Colorist: Jill Bogdanowicz
  • Director: Susan Johnson
  • Director of Photography: Michael Fimognari
  • Editorial: Phillip J. Bartell & Joe Klotz

Fifty Shades Freed

  • Colorist: Stefan Sonnenfeld
  • Director: James Foley
  • Director of Photography: John Schwartzman

Sherlock Gnomes

  • Colorist: Paul Ensby
  • Director: John Stevenson
  • Editorial: Prakash Patel & Mark Solomon

Snatched

  • Colorist: Paul Ensby
  • Director: Jonathan Levine
  • Director of Photography: Florian Ballhaus
  • Editorial: Zene Baker & Melissa Bretherton

Mother!

  • Colorist: Tim Stipan
  • Director: Darren Aronofsky
  • Director of Photography: Matthew Libatique
  • Editorial: Andrew Weisblum

Flatliners

  • Colorist: Jill Bogdanowicz
  • Director: Niels Arden Oplev
  • Director of Photography: Eric Kress
  • Editorial: Tom Elkins

Ouija: Origin of Evil

  • Colorist: Jill Bogdanowicz
  • Director: Mike Flanagan
  • Director of Photography: Michael Fimognari
  • Editorial: Mike Flanagan

A Quiet Place

  • Colorist: Stefan Sonnenfeld
  • Director: John Krasinski
  • Director of Photography: Charlotte Bruus Christensen
  • Editorial: Christopher Tellefsen

Justice League

  • Colorist: Stefan Sonnenfeld
  • Director: Zack Snyder
  • Director of Photography: Fabian Wagner
  • Editorial: David Brenner, Richard Pearson & Martin Walsh

The Mummy

  • Colorist: Stefan Sonnenfeld
  • Director: Alex Kurtzman
  • Director of Photography: Ben Seresin
  • Editorial: Gina Hirsch, Paul Hirsch, & Andrew Mondshein

On Chesil Beach

  • Colorist: Tom Poole
  • Director: Dominic Cooke
  • Director of Photography: Sean Bobbitt
  • Editorial: Nick Fenton

Stronger

  • Colorist: Tom Poole
  • Director: David Gordon Green
  • Director of Photography: Sean Bobbitt
  • Editorial: Dylan Tichenor

Spider-Man: Homecoming

  • Colorist: Greg Fisher
  • Director: Jon Watts
  • Director of Photography: Salvatore Totino
  • Editorial: Debbie Berman & Dan Lebental

The Con Is On

  • Colorist: Dave Hussey
  • Director: James Oakley
  • Director of Photography: Joseph White
  • Editorial: Anthony Boys

Adrift

  • Colorist: Stefan Sonnenfeld
  • Director: Baltasar Kormákur
  • Director of Photography: Robert Richardson
  • Editorial: John Gilbert

Hostiles

  • Colorist: Tom Poole
  • Director: Scott Cooper
  • Director of Photography: Masanobu Takayanagi
  • Editorial: Tom Cross

I, Tonya

  • Colorist: Tom Poole
  • Director: Craig Gillespie
  • Director of Photography: Nicolas Karakatsanis
  • Editorial: Tatiana S. Riegel

Keeping Up with the Joneses

  • Colorist: Andrew Geary
  • Director: Greg Mottola
  • Director of Photography: Andrew Dunn
  • Editorial: David Rennie

Free Solo

  • Colorist: Stefan Sonnenfeld
  • Director: Jimmy Chin and Elizabeth Chai Vasarhelyi
  • Director of Photography: Jimmy Chin, Clair Popkin and Mikey Schaefer
  • Editorial: Bob Eisenhardt

Bel Canto

  • Colorist: Sofie Borup
  • Director: Paul Weitz
  • Director of Photography: Tobias Datum
  • Editorial: Suzy Elmiger

Eric Clapton: Life in 12 Bars

  • Colorist: Paul Ensby
  • Director: Lili Fini Zanuck
  • Editorial: Chris King

The Seagull

  • Colorist: Andrew Geary
  • Director: Michael Mayer
  • Director of Photography: Matthew J. Lloyd
  • Editorial: Annette Davey

Crazy Rich Asians

  • Colorist: Stephen Nakamura
  • Director: Jon M. Chu
  • Director of Photography: Vanja Cernjul
  • Editorial: Myron Kerstein